Photo Foray

Model Mayhem Has Been Good To Me! by John Wineberg

I broke down and paid for a model and I couldn't be happier with the results.  Don't get me wrong, i've been lucky to have worked with some amazing models over the last couple of years.  There is something about the change in dynamic when it's a paid shoot.

 I worried less about how much time I was taking and took the opportunity to work different angles and lighting positions.  I'm fairly new to off camera flash and wanted to spend some time playing with the light that a one light setup provided.  I was shooting with a Fuji XT1, a 56mm 1.2 lens and a Yungnuo 560 Mark III Speelight and the Yungnuo 560TX radio transmitter mounted atop the camera.  The flash was used in conjunction with a small, square, softbox.  

I worked with an amazing model from modelmayhem.com Marie Jean .  She arrived on time and ready to work and I believe we achieved some beautiful results.  

I'm a fly by the seat of your pants kind of photographer.  I try not to have too much of a preconcieved notion of what i'm going to achieve.  I have a general ideal but I am flexible with where that takes me.  I wait to see how the model works with me and the situation and try to capture what happens without too much direction.  

Most of my photography has centered around landscapes, still life and the occasional portrait.  Lately I have been excited by what I have been able to accomplish with portraits using both natural and off camera flash.  Light can be tough to master.  It's always changing and can either help or hurt you depending on how you use it.  The goal is to remember what worked and add that to your tool kit.  

For this shoot I had an idea that I had never tried and had no idea how it would turn out.  I've traveled some in Italy and Greece and have always been taken with how widows show their respects to their partners when they are gone.  In Greece there is a tradition that a widow dresses in black for the rest of their life.  I wanted to add some beauty to this idea in the form of the subject and some flowers.  The idea was great, but carrying it out took patience for me and the model.  Marie was fantastic and worked with me until I got the results I wanted.

The hardest part of the above image was getting the focus right.  I am still learning the capabilities of my Fuji XT1.  The light was very low in the studio and it was impossible to see well enough to use manual focus.  I set the focus to area mode and was able to capture this shot.  I couldn't be happier with this image.  I actually used the out of camera jpegs and worked them a little in LIghtroom.  

It was a pleasure working with Marie and I hope we get to collaborate again in the near future.  Here are a couple more images from this shoot.

Copyright Wineberg Images 2016

A New and Old Adventure by John Wineberg

Reno Air Races, Reno Stead Airport.  Opening Ceremony

Since the mid 1980's I have attended the Reno Air Races.  A group of guys, that I have known since I was a kid, accompany me to the desert to watch vintage WWII aircraft and some not so vintage aircraft, race around pylons on a several mile course.  The finish line is right in front of the grandstands and the sound, when the planes come around, is something you have to experience at least once in your lifetime.  This year I am going to arrive one day early so that I can take advantage of some of the photo opportunities without missing the precious time I have with my friends.  

Over the last couple of years i've had a bad case of "G.A.S." (Gear Acquisition Syndrome).  Like many photographers I lust after the latest and greatest and feel less than adequate with the gear that I have.  For this trip I had delusions that I would rent a Nikon D750 with a fast Nikon 70-200 2.8 lens.  Then I really thought about it.  Why would I take new gear to an event that I have less than 9 hours to shoot?  There will be demonstrations that will be once in a lifetime events.  Do I risk using unfamiliar gear for this or do I take my tried and true lenses and camera?  

P-51 Mustang, 2012 Reno Air Races


So I decided to stick with my own gear.  It's not fancy or top of the line.  It isn't full frame with a large megapixel count.  My lenses don't cost thousands of dollars.  But you know what?  I have been making beautiful images with this equipment and I know that I have more to learn.  There isn't anything that I can't do with the current lineup of lenses that I have, where this show is concerned.  I'm not shooting in low light.  I'm not blowing these images up to wall or billboard size.  I'm not going for a ton of background blur at a distance and i'm not worried about the frames per second because my current camera can't handle it, because it can. What am I using you ask? Well here is the list and what it would cost to purchase them.

Nikon D7000 (Purchases Refurbished) Now $624 for D7100, D7000 not available.

Nikon 35mm 1.8g $197

AF-S Nikkor 55-200 f4-5.6g  Used for $99.95 Not available new.

AF-S Nikkor 18-70 f3.5-4.5G Used for $149 Not available new.

Fuji X100T $1299.95  My latest splurge.

Go Pro "Hero" $129.99

So for under $2500 I have three lenses, two bodies and an action camera.  If I were to spend the money to upgrade, I would be looking at over $4000 for two camera bodies and close to $4000 for a Nikon 24-70 f2.8 and a 70-200 f2.8 lenses.  The above list has taken me several years to accumulate.  This doesn't include the in sundry hardware and software that I use to edit or the additional equipment that I use for indoor portraits or my off camera flash equipment.  This is just what i'm taking with me on this trip.  Photography is expensive.  Top notch lenses are expensive.  I'm looking forward to seeing what I can accomplish with this gear list and the abilities that I have spent the last 20 years acquiring.  Check back in a week and you will see the results.  I will also be posting some new videos on my YouTube Channel .  

If i'm lucky, I will have created a whole new adventure out of something i've been enjoying for many years.